Sam Glode Exhibit

In partnership with the Mi’kmawey Debert Cultural Centre and the Purdy family.

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Sam Glode Exhibit

Sam Glode Exhibit

Wi’k+palu’k: Honouring the Belonging of Sam Glode at the Canadian Museum of History was developed in partnership with the Mi’kmawey Debert Cultural Centre and the Purdy family. The exhibition centres the life of Sam Glode through Mi’kmaw authorship, language, and cultural knowledge.Entro’s role was to shape an experience that remained grounded in Mi’kmaw perspectives and values, while making the story accessible to a broad public audience. The project required close collaboration and a careful approach to interpretation, language, and spatial storytelling.
  • Client

    Canadian Museum of History

  • Location

    Ottawa, Ontario

  • Sector

    Cultural, Exhibit

In partnership, Entro developed the exhibition as a spatial narrative rather than a linear biography. Large illustrated murals guide visitors through changing environments, from the landscapes of Kespukwitk to the confined atmosphere of wartime trenches and back into spaces tied to community and belonging. The project team used shifts in ceiling height, lighting, colour, and scale to shape the emotional rhythm of the gallery.

 

Mi’kmaw language was integrated throughout the exhibition, with audio listening stations allowing visitors to experience the language through spoken voice rather than text, honouring that the language is not to be written. Indigenous knowledge systems also informed the exhibition layout, typography, and visual structure, including references to the four seasons and land-based teachings.

The exhibition presents Sam Glode’s life through a layered environment that combines illustration, sound, objects, and spatial atmosphere. Visitors move through the story physically as well as intellectually, encountering Mi’kmaw knowledge through multiple forms rather than a single interpretive voice.

 

The collaborative process between Indigenous partners, the museum, and the design team shaped both the content and the way it was experienced. The result is an exhibition that supports public engagement while maintaining the integrity of Mi’kmaw perspectives and cultural authority.

Credits

  • Leonie Theberge, Scenographer, CMH
  • Annie Tanguay, Head of Scenography, CMH
  • Sandra Zapata, Project Manager, CMH
  • Elisabeth Thomassin Demers, Illustrator
  • GMLD, Lighting Designer
  • CREO, Scenography
  • Harry Choi, Photography

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